From David Plotz in Slate:
“In a 1997 New Yorker essay, James Kincaid argued that plagiarism should not bother writers so much. Most journalism is mediocre, unoriginal prose, Kincaid says, so writers shouldn’t mind if it gets recycled. Some literary theorists minimize plagiarism for a related reason. They are skeptical of the ideas of authorship and originality, contending that everything new is cobbled together from older sources.
But these scholars, you will note, publish their articles under their own bylines. And both they and Kincaid ignore what makes the plagiarist so sinister. For writers, the act of putting particular words in a particular order is our hard labor. Even when the result is mediocre and unoriginal, it is our own mediocrity. The words are our proof of life, the evidence we can present at heaven’s gate that we have not frittered away our three score and ten.
The plagiarist is, in a minor way, the cop who frames innocents, the doctor who kills his patients. The plagiarist violates the essential rule of his trade. He steals the lifeblood of a colleague. A few paragraphs have made Stephen Ambrose a vampire.”
My Comment
This is a very convincing essay on plagiarism from Slate.
It notes, for one thing, that the people who think plagiarism is no big deal would, tellingly enough, never allow their own columns to appear without their byline. Corporations that take material from their contract workers are aggressive litigators against competitors who do the same to them.
Slate also draws a useful line between “influence” and “plagiarism”.
All writers are influenced – they pick up words or phrases from writers they admire, unconsciously…or sometimes intentionally.
But you can tell a writer writing “under the influence” from a plagiarist because the former is happy to credit his influence. And he usually makes what he took his “own” – giving it their own characteristic twist and often making it better than the original.
The plagiarist doesn’t acknowledge influence, until he gets caught. And then he has a bunch of excuses.
The plagiarist also rarely commits his errors occasionally. If he did, it could probably be seen as an honest mistake. Most plagiarists are actually pathological in that respect. They’re like kleptomaniacs who must appropriate whatever takes their fancy. And eventually this is self-destructive, because, especially in the age of Internet, it’s easy enough to look up something and find out who took it from whom.
One example of the plagiarist as addict is Kingsley Amis, who although not known officially as a plagiarist, actually took a number of his best lines from his long-suffering wife, Hilly, who also put up with his compulsive philandering.
Oddly enough, Amis’s son, Martin, was the target of plagiarism himself, from another talented writer, Jacob Epstein, in a famous case in 1980. Martin Amis correctly diagnosed the matter as one of compulsion and self-destructiveness. The plagiarist is often signaling some deep-seated shame.
The most interesting angle of plagiarism is that it’s often done by talented, even brilliant writers. Wilde did it. So did Stephen Ambrose, the well-known historian. These are people you’d think would have no need to take good lines from some one else.
So why do they do it?
In some, as I said, it’s a pathology. It reflects an inner compulsion in the personality, a compulsion often replicated in other out-of-control behavior.
In others, it’s laziness or exhaustion of ideas. Plagiarism is an easy way to keep up a fading reputation for wit as a writer ages or otherwise loses his edge.
Another reason – one that I’ve observed often – is competitiveness and envy.
We’re accustomed to think of envy as something felt by have-nots for haves. More often, however, it’s felt by haves for other haves.
We all know the pretty woman with dozens of admirers who still has to steal the boyfriend of the plain Jane next door, even though she doesn’t want him. We all know the CEO who must make one more flashy deal, even if it will kill him, because he can’t let any deal go by him.
We know rich people who want to be even richer and famous people who crave even more fame and envy even the smallest portion of limelight that someone more obscure might enjoy.
And so also there are bright, talented people, who can’t stand that there may be somewhere, someone who also has some ability. A bit of attention elsewhere becomes a diminution of their own ability.
In these cases, plagiarism is an indication of a hollowness inside the person that nothing can fill.