Brazilian pop singer Elis Regina (1945 – 1982) is one of my new finds. One half of an album Elis and Tom (with Antonio Carlos Jobim) that’s considered one of the best in bossa nova, Regina was a passionate, supremely gifted, and original performer. Not as overtly political as other singers, her own unconventional life and stage presence lent weight to her political engagement. She was once vilified for a public performance in support of Brazil’s military junta (1964-1985) that later turned out to have been coerced. After that, the cartoonist Helfil, one of her detractors, became her friend, and she joined him to support a popular movement demanding the amnesty of political prisoners and exiled artists and intellectuals.
This was the subject of her classic 1979 performance of “O Bêbado e a Equilibrista” (Blanc/Bosco), which refers to “the return of Henfil’s brother.” This was the cartoonist’s older brother, Betinho, a leading sociologist, who had been exiled. Regina’s campaign was an important contribution to some 5000 Brazilian political prisoners returning from exile.
O Bebado e a Equilibrista
The Drunk and the Tightrope Walker (1979)
Lyrics: Carla Cristina
Music: Aldir Blanc/João Bosco
Translation: Steven Engler
Evening fell like a bridge
A drunk in a funeral suit reminded me of Chaplin’s tramp
The moon, like some brothel madam
Begged a rented shine from each cold star
And clouds, up there in the blotting paper sky
Sucked at tortured stains
What insane pressure
The drunk with the bowler hat made a thousand bows
For Brazil, my Brazil’s night
Is dreaming of the return of Henfil’s brother
Of so many people who left, in a dangerous situation
Our country is crying, gentle mother
Marias and Clarices are crying on Brazilian soil
But I know that pain this sharp can’t be pointless
Hope dances on the tightrope with an umbrella
With each step on that rope you can hurt yourself
Bad luck, the balancing hope
Knows that each artist’s show must go on